The Bowie Knife
& The Arkansas Toothpick
Pictured in some history books today is a reconstruction of James
Black's blacksmith shop in Old Washington State Park. It's not accurate
in every historical detail, but it is authentic, typical of an 1830's
blacksmith shop in this part of the frontier; and it is built on
the exact spot where James Black's shop stood when Jim Bowie walked
in the door and handed him a whittled wooden model of the bowie
knife he wanted Black to craft.
Four weeks later, in January of 1831, Black had made the knife
for Bowie and he had also made a second knife, a modification of
Bowie's design. He said that he had always believed that a knife
should be made "for peculiar purposes," whatever that
meant. He told Bowie to pay the agreed price and take the knife
he preferred. Bowie chose Black's design, which was like his own,
but was double-edged along the length of the curve from the point.
In other words, the top of the blade is sharpened toward the tip.
That must have been the innovation that appealed to Bowie, for he
could still use most of the thickness of the back of the blade to
parry and have an additional sharpened edge for back slashing.
Immediately thereafter, on Bowie's return trip to Texas (he had
just become a citizen of Texas, which was then Mexico), he was attacked
by three men who had been hired to kill him. He killed all three
with his new knife. This encounter brought immediate fame to the
Bowie Knife and to James Black. From then on, any traveler passing
down the Chihuahua Trail would stop at Black's shop and ask for
a bowie knife sale "Like Bowie's." Eventually this was
shortened to Bowie (say "BOO-ee") Knife.
After the battle of the Alamo five years later, the knife accompanied
its owner into the realm of legend. If it was recovered at all,
it was probably appropriated by a nameless Mexican soldier as a
war trophy. Because the Knife disappeared, though, modern knifemakers
indulge in a certain amount of interpretation concerning what exactly
is a hunting Bowie Knife. Bowie was after all a frontiersman and
famous knife fighter long before 1831 and doubtless owned many knives
in his career. Black's design can be construed as the final step
in the evolution of Mr. Bowie's ideal knife. Any of the knives in
that evolutionary chain could be called a Bowie Knife, and the design
continued to evolve after Bowie's death.
The knife pictured at left bears James Black's mark on the blade
and was made and sold as a Bowie Knife. Black quit making knives
in 1839, so it seems likely that this design is pretty close to
that of Jim Bowie's personal knife. (Note: this picture comes from
Mandy Medearis' book, Washington, Arkansas: History on the Southwest
Trail.)
Black's skill was without peer. Governor Jones wrote, "I am
certain that Black possessed the Damascus secret.... He often told
me that no one taught him his method of tempering steel, but that
it came to him in a mysterious manner which he could not explain."
This secret he kept to himself. He tempered his blades behind a
leather curtain, shielded from the curious eyes of onlookers and
even those of his own partners.
On his seventieth birthday (in 1870) he decided to pass on his
steel-tempering secret to the family that had cared for him throughout
his infirmity and old age. But he hadn't been a practicing blacksmith
since 1839 and he had forgotten all his secrets. The only thing
he remembered was that there were ten separate steps.
Yet Another Bizarre Arkansas Biography
Black's biography reads like a Dickens novel. Born 1 May, 1800
in Hackensack, New Jersey, he ran away from home at the age of eight
because he didn't get along with his stepmother. He ended up in
Philadelphia. He wouldn't tell authorities any information about
himself, lest they send him back to his unhappy home. They judged
him by his build to be eleven years old and they apprenticed him
to a silversmith. When he reached the official age of 21 (the actual
age of 18) he was released from his indenture and he joined the
westward migration into the new territories.
He held a number of jobs along the way, ferryman, deckhand on a
steamer, all adventurous stuff. Then one day he met Elijah Stuart,
they became friends and decided to make a go of it in the new territories.
The two of them made their way to this place, which was then fourteen
miles from Mexico. Stuart built a tavern and Black took a position
with a blacksmith named Shaw. His thirteen years as a silversmith
in Philadelphia came in handy. While the Shaws handled the coarse
work like horse shoes and wagon wheels, Black worked exclusively
on guns and knives.
Parenthetical note: It was at Elijah Stuart's tavern that a group
of gentlemen including Crockett, Bowie and Travis plotted to take
Texas from Mexico.
Things were just peachy for James Black for the longest time. Black
was even made a partner in the business. Eventually, though, Black
fell in love with the boss' daughter, Anne. Shaw, for some yet unknown
reason, was violently opposed to any match and forbade the marriage.
Black reasoned that he could win Shaw's approval if he were his
own man, so he made a settlement with Shaw, accepting a note in
lieu of cash for his share of the partnership. He borrowed against
that note to build a cabin, a smithy, dam and a mill at the Rolling
Fork of the Cossatot. The company grew and prospered.
Then one day the sheriff came and threw them off the land, declaring
it to be Indian land and that Black's new company had no right to
be on it. Also turns out the note given to Black by Shaw wasn't
worth squat. It was a dissolution of partnership without regard
to financial settlement. He had been screwed.
Black got even by marrying Anne. Shaw just got angrier and angrier.
Black set up his own smithy and as trade grew and orders piled
up he took Shaw's son, his brother-in-law, into his business. Old
Shaw must have thought his family was being dismantled and stripped
from him. Black never shared his secrets with young Shaw, probably
to insure that old Shaw never got his hands on them.
Anne and James had three boys and a girl before Anne died in 1838,
and her death didn't improve Black's relationship with old Shaw.
In the summer of 1839 Black fell ill, and while he lay helpless
in bed, old Shaw crept into the house and attacked him with a club.
The family dog attacked old Shaw and drove him away, saving Black's
life, but the clubbing had damaged Black's eyes.
Black headed back to Philadelphia to consult with learned physicians
about his eyesight. He was diverted to Cincinnati, where an unprincipled
medical quack took his money and left his eyesight further damaged.
Black continued on to Philadelphia, where legitimate physicians
were unable to help him.
He returned home to discover that old Shaw had sold all his (Black's)
property and skipped town with the cash.
For two years, Black lived with the Buzzard brothers on their plantation
until a man named Isaac Newton Jones, a surgeon from Bowie(!) County
Texas adopted him into his own family. Black lived with the Jones
family for thirty years. His children were adopted into other pioneer
families. It was to young Daniel Webster Jones, son of Isaac, that
Black tried and failed to present his metallurgical secrets in 1870.
Incidentally, that kid became Governor of Arkansas in 1890 and
served for two terms.
The Arkansas Toothpick
Pictured here is one of the master knifesmiths at Lile's Handmade
Knives in Russellville. In his right hand is a Bowie and in his
left is an Arkansas Toothpick.
James Black is often credited with the invention of the Arkansas
Toothpick, although this connection is somewhat weaker and is possibly
due to confusion between the Arkansas Toothpick and the Bowie Knife.
Arkansas Toothpicks and Bowie Knives manufactured in England were
both sold as Bowie Knives. Still, Black was renowned for making
throwing knives and if he did not invent the Arkansas Toothpick,
he certainly contributed to its development and doubtless manufactured
hundreds of them.
The Arkansas Toothpick is essentially a long, heavy, balanced dagger,
slung in a holster across the back, drawn over the shoulder and
flung optimistically at a distant enemy. When I say long, I mean
a blade of fifteen to twenty-three inches. The Bowie Knife was also
enormous. It was said that a Bowie had to be sharp enough to use
as a razor, heavy enough to use as a hatchet, long enough to use
as a sword and broad enough to use as a paddle.
Old Washington Historic State Park
The plan hatched in 1958 by James Pilkington and Talbot Feild is
to turn the whole town of Washington into a historical preserve
something akin to Colonial Williamsburg. As property becomes available,
it is purchased for the park. As money becomes available historic
buildings are restored. So far there are over 40 restored sites,
buildings, points of interest and museums that can be visited. Here
you'll find one of the best gun collections in the country, a print
shop with antique presses, a black history museum, the Confederate
State Capitol building, Elijah Stuart's Tavern and much more.
They offer guided tours, interpretive services (that means they'll
tell you the histories of all the buildings) and the park hosts
occasional events like mountain man rendezvous and Civil War reenactments.
Find Old Washington twelve miles north of Hope on highway 4.
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